среда, 29. октобар 2014.

FASHIONABLE MOVIES 1.


1. Bringing Up Baby (1938)
Setting: New York, 1930s
Synopsis: A bored society girl (Katharine Hepburn) ensnares a nerdy paleontologist (Cary Grant) and the two have a series of misadventures with her pet leopard, Baby.
Style: Masculine/Feminine
Watch for: The movie in which Katherine debuted her signature pants, never before seen on a woman in the movies. When the studio heads insisted she wear a skirt, she strolled around the set in her underwear until they gave her pants back.

2. Sabrina (1954)
Setting: Long Island, 1950s
Synopsis: After two years in Paris, Sabrina (Audrey Hepburn), the shy chauffeur’s daughter, returns home as a sophisticated, stylish woman, and suddenly draws the attention of both Larrabee brothers (Humphrey Bogart and William Holden).

Style: Givenchy glam. This is the film that brought Hepburn and Givenchy together.
Watch for: The A-line gowns and the “décolleté Sabrina,” a bare-shouldered black cocktail dress with a high neckline to hide Audrey’s collarbones. All the Givenchy dresses.

3. To Catch a Thief (1955)
Setting: French Riviera, 1950s
Synopsis: A former thief (Cary Grant) is suspected of a series of jewel thefts; to prove his innocence he tries to find the copycat with the help of an American heiress (Grace Kelly).
Style: Glistening extravagance
Watch for: The jewels! Grace Kelly in that white strapless dress with an over-the-top diamond necklace. Her ball gowns, shimmering gold, blue chiffon, etc.




4. And God Created Women (1956)
Setting: Saint Tropez, 1950s
Synopsis: A vampy sexpot (Brigitte Bardot) loves one brother, but marries another.
Style: Rampant female sensuality
Watch for: This is the movie that put Brigitte Bardot on the scene, and she became the instant symbol of the “sex kitten.” That gingham bikini, the pouty lips, the ultimate “beach hair,” and how the (near-naked) Bardot carries herself throughout the film.

5. Funny Face (1957)
Setting: New York and Paris, 1950s
Synopsis: Jo (Audrey Hepburn), a shy bookstore clerk, is discovered by a famous fashion photographer (Fred Astaire), who takes her to Paris and makes her a top model.
Style: Simple, chic, casual, and then extravagant and over-the-top
Watch for: Audrey Hepburn in her black capris, black turtleneck, and black flats (which made a comeback in the 2006/2007 Gap ads where Audrey is seen doing her Funny Face dance, set to AC/DC’s “Back in Black.” A prime example of how style persists after 50 years; there is just different music in the background). And the resplendent Givenchy gowns. The scene when Audrey descends the stairs in that stunning red Givenchy is unforgettable.

6. Breakfast at Tiffany’s (1961)
Setting: New York, 1960s
Synopsis: Holly Golightly (Audrey Hepburn), a socialite/call girl, becomes interested in Paul (George Peppard), a struggling writer who moves into her apartment building.
Style: Accessorizing the LBD 101
Watch for: The LBD, the oversize sunglasses, the giant pearl necklace, and the gloves. Often considered the fashion film. It solidified Audrey Hepburn as a style icon.

7. Doctor Zhivago (1965)
Setting: Russia, 1914-1917
Synopsis: A Russian physician-poet (Omar Sharif) falls in love with a political activist’s wife (Julie Christie) during the Bolshevik Revolution.
Style: Russian Revolution
Watch for: The images of Julie Christie surviving Siberia and Stalin in style largely influenced fashion in the late sixties. Mid-length officer-style coats, opulently collared and cuffed shirts, and fur on anything became popular. Lots of fur. Fur bonnets, muffs, etc. PETA’s nightmare film.

8. Belle de Jour (1967)
Setting: Paris, 1960s
Synopsis: Séverine (Catherine Deneuve), a beautiful young woman dissatisfied with her marriage, takes an afternoon job at a brothel.
Style: Perfectly timeless
Watch for: Everything she wears could work today: the coats, the shift dresses, etc. Roger Vivier designed his piece de résistance, the Pilgrim-style buckled pump, for this film. 120,000 pairs were sold immediately after the movie hit the big screen. And that same shoe is still modern today.

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